Jiawei Shen
Born in Shanghai, China, 1948
Lives and works in Sydney
Born in Shanghai, China, 1948
Lives and works in Sydney
Largely self-taught Jiawei Shen became a well known artist in China in mid 1970s during the Cultural Revolution era. His oil painting Standing Guard For Our Great Motherland (1974) became an icon in that years and later shown in New York twice: Guggenheim Museum in 1998, and Asia Society Museum in 2008. In 2009 it was auctioned away in Beijing Guardian at about one million US Dollars. Now it is in the collection of the Long Museum in Shanghai.
Jiawei Shen moved to Australia in 1989 and for the first three years had to support himself financially by drawing portrait sketches for tourists at Darling Harbour. He looked on this experience as an opportunity to research portraiture and since then he has completed many accomplished portrait commissions in Australia and overseas. As a leading portraitist he was commissioned by Australian government to paint official portraits for Pope Frances (2013), Princess Mary of Denmark (2005), Prime Minister John Howard (2009) and Australian Governor General Sir Peter Cosgrove (2018).
Since 1993 Jiawei’s portrait paintings have been selected as finalist for the Archibald Prize at the Art Gallery NSW fourteen times and in 1997 he was runner-up for this prize. He has been a finalist in the Doug Moran Portrait Prize (1994, 1996, 2006,2007and 2017) and has twice won third prize in the Sydney Royal Art Show (1993, 1994). In 1995 Jiawei won the Mary McKillop Art Award and received a medal from Pope John Paul II. He had also won the Sir John Sulman Prize in 2006, and the Gallipoli Art Prize in 2016.
His portraitist gift also had been used in large history paintings. In his Australian epic At the Turn of Century (1998) there were more then 100 historical individuals; In his Malaysian epic Merdeka (2008), 260; and in his Chinese epic Brothers and Sisters (2010-2017), more then 450.
Jiawei has six works in the collections of the National Portrait Gallery, and the Parliament House, both in Canberra. In China, he has eighteen works in the collections of the National Museum, the National Art Museum, and the National Military Museum, all in Beijing. His portrait of the Pope Frances is in the Vatican art collection.
“Shen is a whole-hearted painter who has come through a tough artistic training in China. He has all the technical ability, the courage to take on ambitious compositions, and a hint of self-depreciating wit” (John McDonald, SMH).
Our Sun (我们的太阳), 1991, Oil on canvas, 112x112cm
Self Portrait (自画像), 1986, Oil on canvas, 102x72cm
Tri-selves (三重自我), 2006, Oil on canvas, 213x198cm
Andrew Sayers (安德鲁赛耶斯), 2016, Oil on canvas, 198x137cm
Artist’s Parents (双亲), 2012, Oil on canvas, 122x153cm
Aunt Mangu (满姑), 2012, Oil on canvas, 152 x152cm
Counterpoint (对位), 1995, Oil on canvas, 213x137cm
Mabel (梅柏尔), 1991, Oil on canvas, 137x137cm
Nostalgia of Future (展望忆旧), 2018, Oil on canvas, 198x213cm
The 100th Birthday (一百岁), 2015-17, Oil on canvas, 137x107cm
The Lady from Shanghai (来自上海的女士), 2002, Oil on canvas, 203x152cm
Xini (曦妮), 2007, Oil on canvas, 183x112cm
Xini and Billy (曦妮和比利), 2006, Oil on canvas, 167x91cm
Yalda Our Girl (雅尔达我们的女孩), 2017, Oil on canvas, 183x167cm